The New Black Mambo

By Priest September 18th, 2011, under About Me, Comics

At some point I was no longer a writer. I had, somehow, become a black writer. This perplexed me, considering the halcyon 80’s, where Marvel was a hotbed of scathing, litigiously un-PC sexism and racism (reference: Rescue Me’s potty-mouthed fire house), I was never seen as a “black” writer. I competed with everybody else, with guys who had much more experience than I, and did the grunt work and odd jobs just like anybody else.

Nobody at DC hired me to reboot Green Lantern in Emerald Dawn because I was a black guy, and Fabian Nicieza seemed to not notice or care about my skin color when he approached me to dream up a Power Man/ Iron Fist-esque buddy book for his startup imprint Acclaim.

Pre-Milestone, the subject just didn’ t come up. Somewhere along the way, Marvel became much more PC and I became inexplicably much blacker.

Essay Is Here

The Busboy

By Priest September 18th, 2011, under About Me

Back then, there really wasn’t language for this business, but today we call it “Social Anxiety Disorder,” which is just lipstick on the pig Depression. Sometimes I get overwhelmed by people and just can’ t be around them. A side effect of this disorder is people being mad at me all the time because I don’t call or I don’t write or I don’t come to their party. Because the paraplegic won’t go bowling with you. My in-laws seemed offended and my wife routinely upset because they were all extremely social and they assumed I didn’t like them. I liked them just fine. I have a disease.

Essay Is Here

Wave This Flag Or Else

By Priest September 18th, 2011, under About Me, Politics

9/11 coalesced the nation, but coalesced it around distinctly white, middle American values and did so in an extremely megalomaniacal way. Good ol’ boys, huge garrison flags anchored to gun racks in their Ford trucks snapping in the breeze. God Bless America and all of that national pride. For me, and for many of my friends, most of that was a spectator sport. Heartwarming, like a Jimmy Stewart movie, but Blacks weren’t starring in Jimmy Stewart films, Jimmy Stewart films were, for me, a window into another world, another America. That’s the America that came together after the attacks: Ronald Reagan’s America, Jimmy Stewart’s America. A place that welcomed blacks, Latinos, Native Americans and Asians only conditionally into the periphery of their great parade. All that Bob Seger music, Like A Rock. Never heard that playing growing up in my neighborhood.

America came together but merely papered over deep divisions among us. The love-in welcomed us so long as we sang along in harmony to their tune—the American tune, “American” as defined by huge corporate interests which made out like bandits in the post-9/11 hysteria. The hopeful (and insidiously manufactured) good will and jingoism in the country was shattered years later in the days following Hurricane Katrina’s devastation of the city of New Orleans.

Beginning with the indifference demonstrated by the vacationing president and continuing with the staggeringly inept emergency response led by “Heckuva Job” Brownie, this unified, flag-waving, Arab-hating, America-love-it-or-leave-it crowd sat on their sofas and watched the desperate poor of New Orleans suffer in unimaginable, unacceptable ways, fracturing the manufactured post-9/11 unity.