We’d Have Rather Had Matt Damon

By Priest October 4th, 2011, under Comics, Movies

Saw Captain America, finally. Or, at least, I *tried* to see it. At least two different families, for some insane reason, chose to bring their toddlers along to the film. The little ones were wholly unconcerned with Captain America or the nearly-full house who’d come out on a Monday evening to see him. They did not use their indoor voices. Although the parents did try and keep them quiet, two-year olds are going to be two-year olds. I absolutely despise going to the movies, and I was distracted and angry—just like a two-year old— all through Captain America.

Look, I know times are tight and sitters cost, but staying home with the wee little ones is the price you pay for your thoughtless and likely drunken impulsive screwing. People who don’t want to be parents should find some discipline to protect themselves, and parents should come to grips with the fact that children literally take over the entirety of your life. Nobody stood up and screamed at these people, but, even in the dark, I could clearly see how tense the audience was at the utter selfishness of these people.

I was actually going to walk out after the first act but I fell asleep instead. All the action stuff just bored me to tears. I thought the reimagining of certain details of Cap’s origin worked quite nicely for the most part, but every time I looked at the actor playing Steve Rogers—though quite capable and awash with earnestness—I kept seeing Matt Damon and a much better performance.

Tommy Lee Jones was wasted, the whole Bucky Barnes B-story was a waste. It wasn’t the worst super- hero movie I’d seen, but we would have rather had Matt Damon, whose raw acting skill would have added much-needed depth to the main character. Like most other super-hero flicks I’ve seen, the central character was nowhere near as fascinating to watch as Downey’s Tony Stark. It’s as if the creators of these subsequent films hadn’t seen Iron Man.

Chris Evans is a fine actor and he did a credible job, but he lacked the gravity well of Downey’s self-absorption. In Iron Man, every cutaway from Downey was a chore. I couldn’t wait to get back to Downey to see what whacky thing Stark would do next. The same was true in The Dark Knight, only that sentiment applied not to the hero but the ensorcelled performance of Heath Ledger as the villain. Thus far only Downey has made the hero of these hero films insatiably compelling. Somebody should sit with the writers and help them to understand that concept: the hero must be not only worth watching, but so compelling you can’t take your eyes off him.

Of this summer’s crop of films, I’ve not cared one whit whether or not Thor got his powers back or if Hal Jordan lived or died. I didn’t care, at all, about any of the New Mutants in X-Men: First Class, and, past the amazing Skinny Guy special effect of the first act, I didn’t care what happened to Captain America. These are fatal flaws of these films. They are formulaic and extremely predictable. In every case, once the hero puts the costume on, the film runs out of interesting places to take us. The notable exception is, again, the first Iron Man, where the costume itself was a character, and the more he wore it, the more that armor changed the character inside it.

Early on, real soldiers laugh at Captain America’s costume. There should have been a point where, once he’d grown and changed internally, once he’d proven himself to these men, that the costume itself ceased being a joke to the men and instead became an inspiration to them. Maybe I slept through that shot, but I didn’t see it. Evans’s was not a bad performance by any stretch, I just didn’t care whether the Red Skull iced him or not—a consistent complaint of this rush of films and even the very good Bat films.

Make me care about the hero. Stop allowing him to be upstaged by the villains. You’d think this would be elementary, screen writing 101. I am terrified that, in the rush to make production dates and in the euphoria of this digital effects age, that already DC and Marvel are forgetting what made these heroes heroes in the first place.

My Beef With BET

By Priest October 2nd, 2011, under TV

CBS News anchor Scott Pelley recently interviewed Black Entertainment Television founder Robert L. Johnson about what government could or should be doing to help improve the failing economy. Mr. Johnson, 65, offered reasonable and solid advice, the same reasonable and solid advice most any well-heeled CEO might offer up, while neither he nor Mr. Williams explored the questionable morality surrounding how Mr. Johnson earned the billion-plus dollars he profited after selling BET to Rupert Murdoch’s Viacom in 2003. I hope he is enjoying his millions. It is blood money. Whatever apologist nonsense enables Mr. Johnson to sleep at night will never balance out the reality of twelve year-olds being jumped intothe Crips of the Folk every day of the week. Of young black girls dressing like hookers and young black boys eager to get into drug dealing so they can live like the evil caricatures Mr. Johnson broadcasted for twenty-three years. And, while I can’t stop Mr. Pelley from interviewing this guy, I and the rest of America don’ t have to act like Idi Amin is Benjamin Franklin.

The saddest part is, as Mr. Pelley did, most of Black America likely considers Mr. Johnson an American success story. I am struggling not call him Adolph Hitler, who transformed Germany by means of a culturally homogenous quasi-religion. Calling anybody, even Mr. Johnson, Hitler would be unfair. Hitler, after all, didn’t teach Germans to hate themselves.

Mr. Johnson is certainly no Hitler, though he might have been the guy passing out the Nazi arm bands. Black America has been wearing its own version of Nazi arm bands—Ebonics, the idiotic sagging pants, a distinct cultural lexicon regardless of what region of the nation you visit— for more than a generation, now. Mr. Johnson is not the architect of this phenomena, but he was for many years its chief enabler.

Complete Essay Is Here

If Obama Were White

By Priest October 2nd, 2011, under Politics

I, and I suppose, many African Americans have been asking myself, lately, is our support and, increasingly, defense of President Barack Obama would be the same if the president were white. I mean, white-skinned. We are, after all, specifically if not exclusively referring to the quality of pigmentation in the man’s epidermis. This insanity, of how tan a person is, has been the basis for centuries of violence, hatred, social unrest and oppression. Taking race out of the equation, I see a man with lofty, perhaps naïve goals, and a gang of irrational, extremist nuts out to kill him. I see his friends caving in and turning against him out of cowardice and opportunism. I see people obstructing important and vital legislation, and causing severe further damage to the nation’s economy over the idiotic debt limit fight. I see a man trying to save America and I see people willing to go to any lengths to stop him, up to and including making things worse, provably and demonstratively as a direct result of their single-minded agenda to unseat the president.

I see good and I see evil. I support the president, not because he’s black but because any man who can inspire this level of sheer hatred, focused on one man and to the exclusion of serving their nation during a time of national crisis, must be onto something good. He must be a simply amazing individual. Abandoning him for one of the GOP Muppets would be utterly ridiculous.

 Complete Essay Is Here

Christie

By Priest September 30th, 2011, under Politics

The minute he gets in, he sinks like a stone. The minute this thing gets real and stops being a GOP circle jerk, we’ll get to see this extremely entertaining bully whose act will wear thin on both the crackpots Christie so despises and the independents he can’t win without. This is exactly the same thing these people did to Perry: he jumps in and he’s today’s darling, a man’s man who can take the fight to the president. And, almost immediately, they’ll turn on him and leave him sputtering by the side of the road as Romney goes on to win the nod. Getting in bed with these people is a terrible idea and Christie knows it.

How this man can see what these folks did to Rick Perry and think, “Yeah, these are the folks I wanna hook up with,” is beyond me. Long before the DNC starts playing the very amusing collection of Christie clips saying he’s not ready, he doesn’t want it enough, suicide jokes, etc., Romney, Bachmann and the Statue of Liberty Foam Hat Crowd will eviscerate this guy and destroy his chances for gubernatorial reelection.

Christie knows saying “yes” to this is a zero-sum game. He’s wanted to be NJ governor all his life. If he gets in now, by February, March the latest, he’s done in politics. This is a completely idiotic idea, not because he’s not qualified—I mean, like that even matters anymore—but because the GOP is a snake pit right now, full of incredibly wacky types who turn on you in a heartbeat.

Unless Christie comes in and cleans house completely—I mean denouncing the wackos straight off and executing a coup d’état seizing total control of the party—he will be destroyed. Christie, the guy who appointed a Muslim judge while ridiculing wingnuts hollering “Sharia Law!” has denounced these folks too many times to walk back now.

He is not these people’s friend and they know it.

Tin Men

By Priest September 28th, 2011, under Comics, Movies

And that’s the worry: what to do after you’ve old the origin story. Iron Man 2 has already demonstrated that, beyond the compelling origin story, they have nothing to say. Where do they go next? Superman: The Movie began as an unbelievably sober and grown-up science fiction film and then, finger-snap, became ridiculous once Clark moved to Metropolis. Once they got there, into the camp silliness, the film and the franchise to follow never recovered. The worry is that America will quickly grow tired of the diet and, as fast as super-hero flicks exploded as a phenom, they will implode from over-exposure and under-development. We’re still lining up, but in order to keep those lines forming, the producers will have to do better.

They can get away with this thin material because the origin story is always a solid bit of storytelling. But, after that, they’ll need to actually have something to say.

Full Essay Is Here