Archive for the ‘TV’ Category

My Beef With BET

Sunday, October 2nd, 2011

CBS News anchor Scott Pelley recently interviewed Black Entertainment Television founder Robert L. Johnson about what government could or should be doing to help improve the failing economy. Mr. Johnson, 65, offered reasonable and solid advice, the same reasonable and solid advice most any well-heeled CEO might offer up, while neither he nor Mr. Williams explored the questionable morality surrounding how Mr. Johnson earned the billion-plus dollars he profited after selling BET to Rupert Murdoch’s Viacom in 2003. I hope he is enjoying his millions. It is blood money. Whatever apologist nonsense enables Mr. Johnson to sleep at night will never balance out the reality of twelve year-olds being jumped intothe Crips of the Folk every day of the week. Of young black girls dressing like hookers and young black boys eager to get into drug dealing so they can live like the evil caricatures Mr. Johnson broadcasted for twenty-three years. And, while I can’t stop Mr. Pelley from interviewing this guy, I and the rest of America don’ t have to act like Idi Amin is Benjamin Franklin.

The saddest part is, as Mr. Pelley did, most of Black America likely considers Mr. Johnson an American success story. I am struggling not call him Adolph Hitler, who transformed Germany by means of a culturally homogenous quasi-religion. Calling anybody, even Mr. Johnson, Hitler would be unfair. Hitler, after all, didn’t teach Germans to hate themselves.

Mr. Johnson is certainly no Hitler, though he might have been the guy passing out the Nazi arm bands. Black America has been wearing its own version of Nazi arm bands—Ebonics, the idiotic sagging pants, a distinct cultural lexicon regardless of what region of the nation you visit— for more than a generation, now. Mr. Johnson is not the architect of this phenomena, but he was for many years its chief enabler.

Complete Essay Is Here

Mirror, Mirror

Wednesday, September 28th, 2011

Gene Roddenberry’s hopeful future was not there. It was implied, perhaps taken for granted, but it was not evidenced in any meaningful or significant way. That future—one in which poverty, disease, war, hunger, and most human vices have been eliminated—was what made Star Trek rise above most other science-future spaceship serials. This is something director J.J. Abrams either didn’t realize or didn’t care about. Hope was a huge component of Star Trek, and Abrams left hope on the cutting room floor. The major reboot performances are only interesting if you’re familiar with the originals, which these performances vaguely echo without actually measuring up to. Eye candy, lots of fun, but not enough depth to make the film compelling, no lessons learned, no questions pondered, no hope extended to us.

As fun a way to kill an afternoon as any, and I suppose the film will rake in lots of cash. But, for this Trek fan, it serves manly to underscore just how great the original was.

Full Essay Is Here