Gene Roddenberry’s hopeful future was not there. It was implied, perhaps taken for granted, but it was not evidenced in any meaningful or significant way. That future—one in which poverty, disease, war, hunger, and most human vices have been eliminated—was what made Star Trek rise above most other science-future spaceship serials. This is something director J.J. Abrams either didn’t realize or didn’t care about. Hope was a huge component of Star Trek, and Abrams left hope on the cutting room floor. The major reboot performances are only interesting if you’re familiar with the originals, which these performances vaguely echo without actually measuring up to. Eye candy, lots of fun, but not enough depth to make the film compelling, no lessons learned, no questions pondered, no hope extended to us.

As fun a way to kill an afternoon as any, and I suppose the film will rake in lots of cash. But, for this Trek fan, it serves manly to underscore just how great the original was.

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